Is BLACK OK? Straightforward Answers to Shaky Questions Andras Adorjan Are You prejudiced in any way, dear reader? Of course You are! Don't be ashamed of it - who isn't? Who isn't shackled by dogmas, beliefs, wrong reflexes, routine? Those who deny it are liars or saints. But, as saints make the tiniest minority in the world, we, sinful humans would rather be honest to ourselves and each other. There's no point in blaming one another; although we are so various, still we are so similar in our imperfection: frail mortals. Shall we then accept our limits with resignation, and despair of our pretensions to change, to make things change, to make things better? No way! Why, there's nothing as sure on earth as change! It's up to us if we become merely spectators of what's going on, or active participants, moulders, controllers of 'the way of the world'. "Oh no! Here comes the usual rubbish about world redemption and the meaning of life" guesses the reader who has already had quite a few disappointments, and lost faith in empty phrases and flowers of rhetoric. However, lies are not the faults of words, but of those who distort and misuse them. Or is there a single word, a single noble, holy ideal, in whose name no villainy has ever been committed? So shall we stop believing in anything, shall we banish our most beautiful words? Only over my dead body! Regardless of all this: YES, to redeem the world, YES, to continue the work of Creation, YES, to fight against superstition, darkness, ready-made panels substituting for thought, YES, to seek truth, this can be our only goal. We can't be satisfied with anything less than that. Sounds pretty pathetic, doesn't it, buddy? Think what You please, gentle reader, but do believe me that You are also shaping what is going to be reality tomorrow. Creation didn't end on the sixth day, everybody can make his contribution at his own place. We, chess-players of the Globe, seek truth on the board. Evolution requires respect for eternal values and unbiased, matter-of-fact observation of actual phenomena. Alas for the one who can't get rid of the clog of prejudice, the whirl of worthless fashion! It's my destiny to make my contribution to the quest for chess truth by fighting 'apartheid', that is, the prejudice in connection with the colours of the pieces. It is this 'BLACK Is OK' spirit that guides me and my friends when we set off our magazine, edit other publications, organize tournaments, courses. In order to have real blessing on our work, though, we need Your benevolent, but critical attention. Please join us, after all: GENS UNA SUMUS András Adorján The Way It All Started (The Story of 'BLACK Is OK') 1985 was a very BLACK year, and not 'OK' at all. My mother died. Those who have already had a trauma like this know more or less what I lived through; for others I should say something about this kind of experience. Because it's totally different to hear about an earthquake or a flood killing 10000 people. This is all the same just a number, a momentary heartache, maybe with some feeling of relief - we are ashamed of it, but it's true - saying "Thank God it did not happen here, with them reading about it over there." There is a classic epitaph from a Hungarian cemetery in Transylvania (now part of Rumania) : "You are reading:/ 'Here I lie'/I wish You were lying/and I could read this line." So when death gathers its crops on a large scale, but at a safe distance, it is - what a regretful fact! - more or less OK. We are all like Tolstoy's Ivan Ilyich: we can accept death in general; it's more difficult to accept the death of someone close to us; and our own death we can't even imagine! Now, if death takes its toll in our immediate environment - it can be our relative or friend, or just someone of the same generation, that is, of relatively younger age - it shakes us deeply. And it's not only that we cry for the deceased, as we know from Hemingway that, hearing the bell toll, you should never ask for whom it tolls. It tolls for you. It's preceded by the statement that it's me who loses something with every death. That's why you should never ask for whom the bell tolls. We mourn for the one we loved. We mourn with pity, guilt, sorrow, and, pitying the deceased, we pity ourselves as well. We mourn for our own mortality, our momentary loneliness, and, first of all - at least in such moments - we think of what our existence is all about. Can there be anything good in losing someone you loved? Isn't it a morbid thought? Well, let me tell you just one thing. I managed to say to my mother on her deathbed: "You're doing good to us even at the moment of your death. You're reminding us to keep together, and to leave as little debt as possible". She, poor soul, still taught in a primary school a couple of months before her death (at the age of 70), in rather bad health. She couldn't live without that. So what did I get together with this blow of fortune? Something I could make use of. Experiencing this way the finiteness of existence, I thought about the meaning of us being here. That is, what are we supposed to do? Then I thought I'd found the answer several times. For example I figured we should merit the oxygen we breathe in and transform into carbon-dioxide during our presence on earth; and that we must leave something lasting, something living on after our death. That was the time when I started to think of building up a 'life-work', and seemed to have found writing as the right course of activity to follow. I had written a lot before that anyway, from my early childhood on - chess articles, analyses, prose and poetry, occasionally lyrics or music. I am extremely extroverted, as a psychologist would put it - my desire for self-expression is enormous. So I didn't have to force myself to take pen in hand. What I wanted to write was something original, sort of a series which has something in common, some kind of 'meaningful harmony', but still, each piece can be taken for a whole, with an essence of its own. I didn't get too far. Then I took to jotting down the theoretical subjects in which I'd ever had a new idea (some of them had already been tried in practice, I even had followers in some cases) on slips of paper. When I had a list of 18-20 variations, I started to look for what is unmistakably common in them. And then came the moment when I suddenly realized that there are maybe 2 or 3 among them on white's side. Then I recalled that I liked playing with BLACK (or at least I wasn't afraid of it) already at the age of twenty (or maybe even much earlier; being a middle-aged man of 42, I rather watch my next step than recall memories with no particular reason) and what a great number of tournaments I had where I held most of my victories with BLACK, and so on. Today - being perhaps not only older but wiser as well - I can't help thinking that it was not me seeking and finally finding my task - no, it happened just the other way round. I was probably predestined to do it, it was my destiny, all I had to do was to listen to the message. 'It took me a little long, oh long, but the voice of my master was strong!' - as the poet would say. So I started. I started, as it is mentioned already in the preface to the book including a collection of my articles, with the Keres-attack, followed by the others in quick succession. These articles were published in practically every country of the world with a chess magazine. The reception was encouraging, not bad for a start. After labelling the whole thing 'BLACK Is OK' and this way committing myself to something much more than just a well-sounding witticism. It was (and is) something I did and do believe in, and my belief is getting deeper and deeper, if it's possible at all. In the beginning, however, even my best friends looked at this thesis with - how to say it - condescending cheerfulness. Not that anybody told me anything nasty - but it was in the air, and I could smell it. Well, after all, they didn't disturb me playing, and I 'built my sand-castle'. And, as time went on, the army of sceptics lessened, seeing my things published in various chess magazines from India to Singapore, from the USA to the (passed-away) USSR, all the countries of Europe, Australia, not to mention Mexico, Argentina, Costa Rica. I would go on with pleasure, but here the important thing is not what makes me pleased. It is that the people (judging by the reception) appreciated the results of the cruelly concrete analyses (sqeezed off from the brains and hearts of myself and my beloved friends and gifted seconds in a humble effort to 'right the unrightable wrong'), and, on top of that, they even found it entertaining. The other thing is that, while at the beginning the whole idea sounded as heretic as - maybe the comparison is a bit pretentious - Martin Luther's theses nailed to the gate, nowadays there are probably very few people who reject it from the very first that it is quite tolerable to play with BLACK. I even received two letters whose writers went even further, one of them saying that there is a limited number of'good moves' for each player in the starting position, and if someone runs out of these, he can only make things worse with every furter move. Now, as white starts the game, he will have to make the first 'bad move'. Therefore, with both players making the best moves possible, BLACK must winÁ This letter came from Germany a long time ago. My other penfriend claimed that, although white can choose between 1.e4, 1.d4, 1.c4 etc., and determining the character of the game to a certain extent, but once he has moved, say, e4, BLACK can also choose from a great variety of answers, influencing the position at least as strongly as white. He also said that the disadvantage of starting is not unfamiliar in some board games, e.g. in nine-men's morris. What I am saying is, though, not more than 'BLACK is OK'. I will probably repeat it on my deathbed, like Goethe, who wanted - on the contrary - more light. Or another 'fellow-heretic', who claimed that "The Earth is moving just the same". To cut a long story short, I don't think I could deny it in the torture chamber, unless someone convinced me it isn't true. So what is set off with this magazine is a scientific experiment, as it is all very nice that in my own practice playing with BLACK was rather a bliss than a burden, that my results support my thesis, and that my ideas have found followers among the top players of the world (from th three great K's to Timman, Seirawan, Belyavsky etc., to mention just a few). But it is still rather like someone vaccinating himself with BLACK pox, then with the serum he has invented, and surviving. It doesn't prove that the vaccine can be used expansively, only that this particular guy didn't die. In clinical practice it takes 5-10 years to legalize a drug, to prove it isn't toxic, to rule out all harmful side effects etc. Now we can similarly get thousands of games by organizing subject tournaments, getting and see how my ideas stand the test of serious tournament practice. The statistics of these tournaments concerning wins and losses with BLACK and white is also interesting. Finally, let me tell you that the ultimate goal of the experiment is not to confirm my thesis, and definitely not 'by all means'. It is to discover the truth. If, summing up the results after 5-10 years, we realize that BLACK is not OK at all, or just a little bit OK, well - it will be a disappointment for me personally that my hypothesis is wrong, and in fact it's just me and a couple of other fellows who are able to apply this 'left-handed' tactics. But my personal disappointment - which I do not expect, I think I can tell it to you without any false modesty - would also do great service to chess science, as a failed hypothesis takes us closer to truth, too. In order to disprove a false hypothesis you have to dig into the topic so deeply that the result can be quite close to the level of perfection man is able to reach. So the strongest motivation of this work is curiosity. Curiosity that keeps asking somewhere inside "What's going to come out of it?" Is it possible to achieve some revolutionary - or at least a little - change in the mentality of players and theoreticians? Or will everything remain the same, allowing white to get a devastating 8-1 record at a match for the world championship in 1986? Well, if someone tells me this is normal, I can't help thinking there is something wrong with him. All in all, it may also turn out that all this is nothing but my private hobbyhorse. But let me tell you an anecdote: a woman went to see a psychiatrist and said: "Doctor, my husband is getting so funny." "Why, tell me about it, perhaps I can help you." "The poor fellow thinks he is a hen." "A hen? Well, this is a serious case." the doctor wrinkled his forehead. " And how long has he had it?" "For 4 or 5 years." "4 or 5 years? And you are coming here only now? I could have probably helped you easier in the starting stage." "Well, you know, Doctor, we are not really well-off. To tell the truth, the money for the eggs came in handy" So my thesis might be totally refuted in the future, waiting in a dusty storehouse for a teacher who can tell the amused students about what nonsense the people took into their heads - a couple of millennia ago. But I have some kind of daydream, that is, something coming to my mind from time to time as a joke. It's kind of a vision: some centuries from today triangle-headed creatures with wooden legs and green bodies from outer space appear on Earth. These creatures, who are much more civilized than us, and, what is more, still alive, as opposed to the human race, get down to studying the records of the history of our culture. Among other things, they come across my book called 'BLACK Is OK', and, as they can play chess (a galaxy where intelligent beings can't play chess is quite a dump, isn't it?), they have a look at it. A little bit later they say with a heavy sigh: "What a pity! This poor devil was the only one who knew it. It's a shame he wasn't important enough to be listened to!" Well, dear readers, time is to decide which of these possibilities will be fulfilled, and how we will know about it. As for me, I will keep 'laying eggs' like the hero of our anecdote. As long as I can achieve successes as a player and as a theoretician, let me keep believing in it, too. In return, I promise that I am not going to push anyone to take my side. I will use only concrete facts, data of experiments, statistics, that is, objective factors which can help us get closer to the absolute 'chess-truth'. It's usually said about artists that they're tolerated by the rest of mankind, and saved from Hell owing to their works only. If this BLACK Is OK dream is fulfilled, I can perhaps hope to get a place in Purgatory.
Andras Adorjan